Sun, Nov 22 2009
Photo: Provided
Slumdog Millionaire swept the 81st Academy Awards, grabbing eight Oscars, including for Best Picture and Best Director for Danny Boyle, and flooring the big studio favourite The Curious Case of Benjamin Button, which only got three after having 13 nominations.
Steven Soderbergh’s film about Che Guevara is as radical and as controversial as its protagonist
Gran Torino is defiantly over-the-top and unashamedly simple to a level where many other films boasting such attributes would be slain without mercy by today’s cynical and spectacle-hungry movie-going crowds. Yet when constructed by an old master on top of his trade such a film can be strangely and hauntingly affecting.
The closest challenger to the Harry Potter series of books makes its screen debut, with mixed success
It has been six years that we've been hoping for another good Guy Ritchie movie. His 2002 collaboration with his wife (yes, Madonna) on Swept Away was not what the audiences wanted, to put it mildly, while 2005's Revolver was incomprehensible and pretentious beyond the point of tolerance. With that in mind, RocknRolla is saddled with the unwanted and unenviable task of either showing that Ritchie is still a filmmaker with plenty of energy and flair, or proving that he has finally lost it. Luckily, the former is the case and the wait for a new, good Ritchie film is finally over.
If everything else fails, there is one sure way to find out that the holidays season is getting closer: come Christmas time, studios are churning out their thematic ballast like clockwork. Quality is never a part of the production equation - the movie can be as bad as hell as long as it fixes issues in a dysfunctional family, is nominally a comedy, has the words "Christmas", "Santa" or "Claus" in its title and, well, is simply there on the screen.