Sat, Feb 11 2012

Controversial Czech artwork taken down in Brussels

Mon, May 11 2009 13:52 CET 1310 Views
Controversial Czech artwork taken down in Brussels

Workers taking down the installation on May 11

Controversial Czech artwork taken down in Brussels

The inauguration saw Bulgaria's place covered with a black cloth...

Controversial Czech artwork taken down in Brussels

but not before visitors got a sneak peak a day earlier.

Controversial Czech artwork taken down in Brussels

Author David Cerny

Entropa, the art installation that prompted an outcry in Sofia when it was unveiled inside an European Union building in January, was being dismantled on May 11, the Czech presidency of the EU said in a statement.

David Černý, the Czech author of the installation, requested that his artwork was taken down after the centre-right government of former prime minister Mirek Topolanek lost a parliamentary confidence vote, AFP reported.

The government had been "wiped out by the old bolsheviks and socialists and president (Vaclav) Klaus," AFP quoted Černý as saying.

"The Czech presidency preferred the option to let the installation remain in Brussels as originally planned. However, the presidency fully respects artistic freedom and therefore also the wish of the creator of the installation to remove the work already on the chosen day," the presidency's statement said.

Entropa attracted large crowds of onlookers in front of the Justus Lipsius building, routinely used for EU summits. But it also sparked controversy as soon as it went up, since it played on widely-spread and unflattering stereotypes of EU member states, portraying Romania as a Dracula theme-park, France as a country on strike, while Britain was not represented at all.

Yet nowhere else did the outrage reach the same proportions as in Bulgaria, depicted as a squat toilet, which in Bulgaria is known as a "Turkish toilet".

It elicited a mixed response in Bulgaria, where authorities and most media criticised what the Bulgarian permanent representation to the EU called "a humiliation for the Bulgarian nation and an offence to our national dignity". But on forums and blogs, others said it was an accurate representation of how Europe saw Bulgaria, as a country making no progress despite repeated criticism.

Bulgaria demanded the work be taken down, but all it received was an apology from Černý. The image of Bulgaria was covered with a black cloth instead.

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Not at all as bad as it seemed: an appraisal of the Czech EU Presidency of 2009

The Czech presidency was placed within a very complicated context, both internationally with the economic crisis on a surge and unsettled issues inside the EU, including the future of the Lisbon Treaty, as well as internally with a fragile support of the government eventually breaking up and paving the way for the caretaker government to take over. Despite this, the presidency managed to deliver on many of its priorities, albeit not in a way and to the extent that it was hoping for.

Artwork row continues as Bulgarian National Bank weighs in

Only hours after the Entropa artwork was partially hidden behind a black curtain, the Bulgarian National Bank (BNB) sent out a media statement saying it would pull out of European meetings if the artwork was not taken down.

Artwork partially hidden behind black cloth after Bulgarian protests

The artwork in which Bulgaria was depicted as a collection of Turkish toilets has been partially hidden behind a black cloth, AFP reported. The country current holding the rotating European Union presidency, the Czech Republic, had the artwork covered on the night of January 20, following Bulgarian protests.

Art for art's sake?

A new art installation, on display at the European Council building in Brussels, has enraged Bulgarian observers with its depiction of Bulgaria as a toilet. Not that Bulgaria was the exclusive target of the satirist in question. Entropa, the work of Czech artist David Cerny, also portrays Romania as a Dracula theme-park and France as a country on strike. The Netherlands is shown as series of minarets submerged by a flood and Germany is shown as a network of motorways vaguely resembling a swastika. Controversially, the UK is excluded from the artwork completely, perhaps a metaphor for the country's self-imposed isolation from the EU.

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